In Vertical Understory, Ben Cornett and partner Kayleigh Macumber design a 3D-printed ceramic assembly to facilitate plant-based natural cooling and create a habitat along the facade and understory of a shotgun home in New Orleans’s Bywater district. Courtesy Benn Cornett/ Kayleigh Macumber

Next-Generation Designers Redefine Materials Beyond Convention

Three Future100 students are reshaping how materials interact with nature, climate, and history through innovative fabrication techniques.

Advanced fabrication techniques are still, in the grand scheme of things, in their infancy. We’re only beginning to scratch the surface when it comes to their application and relevance. This year’s Future100 students are pushing such fabrication techniques further—experimenting with form, material, execution, and even urban and historical ramifications. 

Tulane undergraduate Ben Cornett and his partner Kayleigh Macumber developed Vertical Understory, a system of 3D-printed ceramic assembly designed to add texture and facilitate plant-based natural cooling along the understory and facade of a shotgun home in New Orleans’s Bywater district. The screen changes in both pattern and perforation as it moves upward from the front of the home’s three-foot-tall crawl space—a height dictated by flood-related codes—up to its facade, accommodating various types and sizes of plants and allowing airflow. It’s similar, says Cornett, to a living wall, only its ceramic surface is more porous, more integrally architectural, and more applicable to evapotranspiration, a type of natural cooling ideal for humid areas, in which plants—which favor clay’s high porosity, minerality, and moisture retention—naturally cool the air.  

Courtesy Benn Cornett/ Kayleigh Macumber

“A living wall is usually more like a mural of plants,” says Cornett. “This was a unique opportunity to think beyond it. How can we make it performative and create more of a habitat?” The team’s current thesis project pushes the technology even further with new types of clays and other natural materials. 


Rethinking Concrete Panel Design using CNC-Milled Foam Molds

Ebbi Boehm, a master’s candidate at the University of Pennsylvania, is rethinking the static nature of precast concrete molds, treating them less like typical uniform panels and more like decorative swatches from the world of fabric. Each ten-by-six-foot concrete panel from their project Swatch and Surface is made of eight CNC-milled foam molds, each with its own texture and relief. Integrated formwork, meanwhile, creates windowlike openings fitted with acrylic inserts, adding transparency and contrast. The result presents an astonishing variety of patterns and textures, as if it were a concrete patchwork quilt.  

In A Blank Archipelago, Naseem Soltani reimagines Berlin’s fragmented Molkenmarkt site by documenting its remnants through drawings and transforming them into flexible silicone models. Courtesy Naseem Soltani

“We were trying to challenge this heavy, monolithic, large slab that we often see in prefab,” says Boehm, who adds that the panels’ openings and variety can help manipulate shade and ventilation.  


Rebuilding Erased Sites in Berlin using Silicone Models

In her project A Blank Archipelago, SCI-Arc graduate student Naseem Soltani takes a new approach to rebuilding “erased” sites in Berlin—specifically the city’s Molkenmarkt, bombed in World War II and now divided into three distinct pieces, which Soltani calls “islands.” Instead of re-creating the original market or building what she calls a “high-tech facade ecstasy,” she proposes a third approach—documenting what remains on the site through drawings and then recasting them into various forms via flexible silicone models. “Just because we can’t re-create the past, I don’t think that means we have to fling ourselves off the cliff and just gaze into the future,” says Soltani, who notes that her “blank” creations, less overtly charged with political or social meaning, nonetheless evoke a wide range of responses from viewers. They’ve changed how she looks at the role buildings play in clients’ agendas. “They don’t really feel like buildings so much once you understand how they’re intended to be read.”

Ebbi Boehm’s Swatch and Surface project reimagines a ten-by-six-foot precast concrete panel as a textured, modular composition inspired by textile swatches. Crafted using eight CNC-milled molds, the design features intricate patterns and acrylic-filled apertures. Courtesy Ebbi Boehm/Yousef Almana/Julius Quartey-Papafio/Conrad Tse

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